Concept Hub

VICCARBE

ConceptHub — Fri, 25 Sep 2026 12:16:24 +0000

VICCARBE

Mediterranean clarity for spaces designed around people

Founded in Valencia in 2000, Viccarbe has built its identity around a clear idea: furniture should support the way people meet, work, wait, converse and spend time together. Its collection is designed for shared environments, moving comfortably between offices, hospitality spaces, restaurants, healthcare interiors and contemporary homes.

The brand describes its approach as Designed in the Sun, a reference to the light, colour and relaxed social culture of the Mediterranean. This influence is expressed through balanced proportions, warm materials and an absence of unnecessary detail. The pieces feel precise without becoming severe, with forms that remain visually calm while responding closely to comfort and everyday use.

Viccarbe’s particular strength lies in collaborative furniture. Chairs, lounge seating, modular sofas, benches and tables are developed to support different levels of interaction, from informal conversations and waiting areas to meetings, dining and focused work. Many products are available with several bases, heights, upholstery options and configurations, allowing the same design language to continue across different areas of a project.

The collection is deliberately compact and carefully edited. Instead of following short-lived trends, Viccarbe develops versatile pieces intended to remain relevant over time. A chair may appear with wooden or metal legs, a swivel base, castors or an executive configuration, while table systems can be adapted in size and finish for domestic dining, meeting rooms, restaurants or shared workspaces. This flexibility gives architects considerable freedom without losing visual coherence.

International collaboration has shaped the collection from the beginning. Viccarbe works with designers including Piero Lissoni, Patricia Urquiola, John Pawson, Jasper Morrison, Naoto Fukasawa, Jaime Hayon, Vincent Van Duysen, Jean-Marie Massaud and Ludovica Serafini with Roberto Palomba. Their individual approaches are recognisable, yet each project is translated into the restrained, functional language of the brand.

Several pieces illustrate this balance particularly well. John Pawson’s Trestle tables reduce the structure to a clear architectural frame and are available in dimensions suited to homes, offices and hospitality spaces. Patricia Urquiola’s Burin family turns a sculptural central base into a highly configurable table system, while Jaime Hayon’s Aleta collection extends from dining chairs and stools to executive and lounge seating. These are not isolated statement pieces, but product families able to move through an entire interior.

Production takes place in Spain, with attention given to the durability required in intensively used spaces. Products are tested to European and American contract standards, and the collection is supported by a ten-year factory warranty. This combination of design authorship and verified performance makes Viccarbe particularly relevant for offices, hotels, restaurants, airports, retail environments and healthcare projects, where appearance and long-term reliability carry equal weight.

The outdoor collection follows the same architectural restraint, using resistant materials and finishes to extend meeting, dining and relaxation areas beyond the interior. Rather than treating outdoor furniture as a separate decorative category, Viccarbe approaches terraces, courtyards and open-air work areas as a continuation of the spaces used throughout the day.

Environmental information is increasingly integrated into the way the collection is specified. Viccarbe publishes independently verified Environmental Product Declarations for a growing selection of seating and tables, providing measurable information about carbon footprint, water consumption and recyclability throughout the product life cycle. The company places durability at the centre of this approach, designing furniture to remain in use for as long as possible.

In 2025, Viccarbe received Spain’s National Design Award in the Design and Business category, the country’s highest recognition in this field. The jury highlighted the company’s ability to combine design, innovation, quality and environmental responsibility while maintaining a distinctly Valencian identity and an international outlook.

Viccarbe offers a refined alternative to conventional contract furniture. Its strength lies in bringing together Mediterranean warmth, international design and the technical discipline required by professional interiors, creating pieces that encourage people to gather without overwhelming the architecture around them.

Founded in 2000 | Made in Spain | Headquarters: Valencia

www.viccarbe.com

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General Catalog 2026

COLACRIL

ConceptHub — Fri, 25 Sep 2026 11:41:03 +0000

COLACRIL

Italian bathtubs defined by expressive forms, colour and material

Founded in 1992 in Civita Castellana, Colacril has made the bathtub the focal point of its bathroom collections. Its catalogue moves confidently between classical references, soft organic profiles and rigorous architectural volumes, offering freestanding, back-to-wall, corner and built-in solutions for bathrooms of very different proportions.

The bathtubs are produced in acrylic and Solid Surface, two materials used to achieve distinct effects. Acrylic lends itself to generous curves, deep internal profiles and coloured exterior shells, while Solid Surface creates continuous matte surfaces, precise edges and the appearance of a single sculpted volume. This material variety gives designers considerable freedom when choosing both the character of the bathtub and the way it occupies the room.

Form is central to the Colacril identity. Venezia recalls the elongated profile of a gondola, while Ravello is defined by a soft silhouette and an exceptionally fine rim. Capri has a more enveloping, rounded shape, whereas Firenze and Siena introduce cleaner geometries suited to restrained contemporary interiors. Mantova and Astoria revisit the freestanding bath with a more classical presence, including decorative rims and traditional feet. The result is a collection that ranges from compact, understated models to dramatic pieces conceived to command the space around them.

Several designs use two precisely joined shells to create the visual impression of a monolithic bathtub. The construction keeps the exterior clean while allowing overflow systems, filling functions and wellness technology to be discreetly integrated. Depending on the model, Colacril offers hydromassage, waterfall filling and lighting effects, adding to the bathing experience without disturbing the clarity of the form.

Colour provides another level of personalisation. Alongside white, selected bathtubs are available with exterior finishes such as Sahara, Lago, Terra, Petrolio, Tramonto and matte black. The contrasting white interior preserves the brightness of the bathing area, while the coloured shell allows the bathtub to connect with furniture, surfaces and the wider interior palette.

The broader Colacril range also includes shower panels, enclosures and wellness systems, allowing the bathtub to sit within a coordinated bathroom concept. Through the wider Spazio Colavene group, it can also be combined with sanitaryware, furniture and tapware developed by complementary Italian brands.

Colacril’s character is most evident in the breadth of its bathtub collection: sculptural Solid Surface volumes, expressive acrylic forms, unusual colour combinations and formats suited to both compact bathrooms and generous architectural spaces.

Founded in 1992 | Made in Italy | Headquarters: Civita Castellana, Viterbo

www.colacril.it

IRSAP

ConceptHub — Fri, 25 Sep 2026 11:37:08 +0000

IRSAP

Italian heating design built on steel, colour and intelligent control

IRSAP was founded in 1963 in Arquà Polesine, near Rovigo, and began producing steel radiators from the outset. Its history is closely connected to the development of the modern tubular radiator. Introduced in 1967, TESI became one of the company’s defining products and remains in production today, valued for the flexibility of its multicolumn construction and its ability to adapt to both contemporary and traditional interiors.

The company helped change the role of the radiator in Italy during the 1980s, treating it as part of the interior rather than a purely technical component. In 1981, NOVO introduced a radiator specifically developed for the bathroom, while the later I Termoarredatori concept brought shape, colour and function together within a new category of heating products designed to be seen.

Steel remains central to IRSAP’s production. Tubular radiators are available in different heights, lengths, depths and numbers of columns, allowing the required thermal output to be achieved without imposing a single standard proportion on the room. This modularity is particularly useful when replacing older radiators, working beneath windows or designing tall vertical compositions for walls where width is limited.

The catalogue now extends from multicolumn radiators and towel warmers to flat panels, modular compositions and sculptural heating elements. Horizontal and vertical formats, open towel rails, reversible models and radiators with integrated shelves or lighting allow the product to respond to different rooms and ways of living. Hydraulic, electric and mixed-operation versions also make the range suitable for new buildings, complete renovations and projects where existing pipework cannot be altered.

Many IRSAP models are designed to perform effectively with lower water temperatures and can be connected to condensing boilers or heat pumps. This has become increasingly relevant as contemporary heating systems move away from the high flow temperatures traditionally associated with radiators. The selection is therefore based not only on dimensions and appearance, but also on the thermal output required by the room and the type of heating system installed.

Electric heating has developed into a substantial part of the portfolio. Programmable controls and Wi-Fi-enabled models allow temperature and operating schedules to be managed independently in each room. Through the IRSAP NOW system, compatible radiators and heating zones can be controlled remotely, reducing unnecessary operation while maintaining comfort where and when it is required.

Colour is another important part of the brand’s identity. Most models can be specified in an extensive palette ranging from architectural neutrals and matte colours to textured, metallic, bronze and copper-inspired finishes. Additional RAL colours can also be evaluated for selected products. This breadth allows the radiator to disappear into the wall, coordinate with surrounding finishes or become a deliberate chromatic accent.

IRSAP’s design collections introduce a more architectural interpretation of heat. Collaborations with Antonio Citterio, Angeletti Ruzza Design, Synthesis Design and Domenico De Palo have produced radiators that explore proportion, modularity and the relationship between heat and furniture. Polygon, designed by Valentina Volpe following an international design competition, goes further by integrating an LED light within its folded surface, combining heating and ambient illumination in a single wall-mounted element.

IRSAP’s strength lies in the breadth of its heating expertise. The same manufacturer can provide a highly configurable tubular radiator, a bathroom towel warmer, a low-temperature solution or a connected electric model, while maintaining consistent control over colour, dimensions and thermal performance. The radiator becomes part of the interior, but never at the expense of its primary function.

Founded in 1963 | Italy | Headquarters: Arquà Polesine, Rovigo

www.irsap.com

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General Catalog 2026

BADEN HAUS

ConceptHub — Fri, 25 Sep 2026 11:36:13 +0000

BADEN HAUS

Italian bathroom furniture shaped by composition, materials and personal choice

Founded in 1979, Baden Haus is an Italian manufacturer specialising in complete bathroom furniture. The company brings together a broad range of forms, materials and finishes, allowing each composition to be adapted to the dimensions and atmosphere of the interior rather than selected as a fixed furniture set.

Its collections move naturally between contemporary minimalism, softer organic lines and more decorative interpretations. Suspended and floor-standing units can be combined with open elements, tall cabinets, mirrors and coordinated accessories, creating anything from compact single-basin arrangements to generous compositions with double washbasins and extensive storage.

Baden Haus furniture is made predominantly from MDF protected by durable PVC coatings, developed to resist scratches, moisture and the demands of everyday bathroom use. Depending on the collection, these structures are complemented by solid wood details, metal elements, glass shelving and carefully finished interiors. Soft-close metal runners, internal drawers and glass dividers reinforce the sense of quality beyond the visible surfaces.

Material choice plays an important role in defining each project. Wood finishes, matte and gloss colours, textured or fluted fronts, glass and marble-inspired surfaces can be paired with integrated or countertop basins in ceramic, resin and solid surface. This variety makes it possible to create restrained monochromatic bathrooms, warmer compositions centred on natural textures or stronger combinations of colour and pattern.

The latest collections reveal a more individual design direction. Pura is defined by tactile materials and a distinctive triangular fluted surface, while Riva introduces rounded forms and softer transitions between furniture and washbasin. Other collections combine clean architectural lines with framed fronts, metallic details or more classical proportions, giving the portfolio unusual stylistic breadth.

This freedom continues through the internal organisation of the furniture. Drawers, open compartments, equipped columns and wall cabinets can be arranged according to the available space and the way the bathroom is used. Selected mirrors add adjustable lighting, touch controls, anti-fog functions or Bluetooth without disturbing the clarity of the composition.

Production takes place entirely in the company’s Italian facilities, where the process is controlled from raw materials to finishing and final assembly. Baden Haus combines this manufacturing consistency with genuine freedom of composition, offering coordinated furniture, washbasins, storage and mirrors for interiors that can feel minimal, expressive or classically refined.

Founded in 1979 | Made in Italy | Headquarters: Centobuchi, Ascoli Piceno

www.badenhaus.it

IDEAGROUP

ConceptHub — Fri, 25 Sep 2026 11:35:11 +0000

IDEAGROUP

Italian bathroom furniture defined by material choice and compositional freedom

Founded in 1987 in the Veneto region, Ideagroup has built its identity around bathroom furniture conceived with the care and versatility usually associated with the wider interior. Rather than offering a limited selection of vanity units, the company develops complete compositions in which storage, washbasins, countertops, mirrors and lighting are designed as parts of the same architectural arrangement.

The breadth of the furniture collection is one of Ideagroup’s strongest qualities. Wall-mounted base units, tall cabinets, mirror cabinets, open elements and integrated shelving can be combined in compact configurations or extended across generous walls. Different widths, depths and volumes allow the furniture to respond to narrow bathrooms, guest spaces, family bathrooms and large master suites without losing visual coherence.

The group brings together several complementary design directions. Idea offers versatile furniture and coordinated laundry solutions, Aqua explores more architectural compositions and refined materials, while Blob concentrates on compact bathrooms and spaces where storage must be carefully organised. This variety allows Ideagroup to move naturally between understated contemporary interiors, richer material compositions and more decorative settings.

Materials give each collection its individual character. Natural wood veneers introduce warmth and visible grain, while matte, gloss, textured and soft-touch lacquers create a broad chromatic palette. Wood-effect HPL, Fenix NTM and other technical finishes offer a more practical alternative for frequently used bathrooms. These surfaces are combined with aluminium, stoneware, marble and solid-surface materials to create furniture with greater depth and contrast.

Countertops and washbasins are treated as an integral part of the composition. Integrated, countertop, semi-recessed, vessel and freestanding models are available in ceramic, stoneware, marble, Corian®, Mineralux and Mineralsolid. This variety makes it possible to choose between a continuous, almost monolithic surface and a more expressive basin that becomes the visual focus of the room.

The design of the furniture is resolved through carefully controlled details. Handleless fronts, recessed grips, slim aluminium frames and 45-degree edges create precise, uninterrupted volumes. Other collections introduce framed doors, stronger profiles and warmer finishes, allowing Ideagroup to address interiors that are not strictly minimalist. Mirrors, lighting and accessories continue the proportions and finishes of the cabinetry rather than appearing as later additions.

The same furniture expertise extends into the laundry area. Tall storage, utility basins and modules developed around washing machines and household equipment bring visual order to spaces that are often treated as purely functional. Bathroom and laundry furniture can therefore follow a consistent material and chromatic language throughout the home.

Through Disenia, the portfolio is completed by shower enclosures, trays, bathtubs, electric radiators and wellness solutions. These elements broaden the project without shifting attention away from Ideagroup’s central strength: well-made, highly configurable bathroom furniture with an extensive choice of forms, materials and finishes.

Ideagroup offers designers the freedom to compose the bathroom much like any other furnished interior. Its collections combine practical storage with refined cabinetry, allowing furniture to define the character of the room rather than simply occupy the space beneath the washbasin.

Founded in 1987 | Italy | Headquarters: Gorgo al Monticano, Treviso

www.ideagroupbathrooms.com

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Provence 2026

SLAMP

ConceptHub — Fri, 25 Sep 2026 11:02:49 +0000

SLAMP

Light shaped by material, movement and Italian craftsmanship

Slamp was founded in 1994 by Roberto Ziliani with a different idea of what a decorative lamp could be. Its first design, Tube, replaced the weight and rigidity of the traditional chandelier with a light, unbreakable structure carrying graphic references to Pop Art. That early experiment established the direction the company continues to explore today: transforming thin, flexible materials into luminous objects with volume, movement and a strong visual identity.

The defining element of Slamp is its family of proprietary technopolymers. Opalflex, the brand’s first material, diffuses light evenly while remaining flexible, resistant and lightweight. Cristalflex provides the transparency and brilliance associated with crystal without its fragility, while Lentiflex uses a ribbed surface to refract light and create fluid, changing reflections. Metallised finishes introduce gold, silver and copper effects without the weight of conventional metal structures.

These materials are cut into thin sheets, printed, folded, layered and assembled by hand at the company’s production facility near Rome. Slamp refers to the specialist artisans responsible for this work as the Sarte della Luce, or tailors of light. Their work is closer to dressmaking than conventional lighting production: individual elements are shaped and connected through folds, interlocking structures and carefully controlled layers until the final volume is formed.

The patented Technoforming process, developed with Marc Sadler, extends this approach by bringing the technopolymer to its softening point before it is shaped manually. The technique gives collections such as Accordéon, LaFleur and Tulip their fluid pleats and botanical forms, with small variations that reflect the manual construction of each piece.

Collaboration has also produced some of the brand’s most recognisable designs. Zaha Hadid translated her architectural language into Aria and Avia, built from fifty different layers arranged around a central light source. Adriano Rachele developed the folded surfaces of Veli and the hand-assembled petals of Clizia, while Lorenza Bozzoli’s La Lollo combines transparent and metallised materials in a contemporary interpretation of the theatrical chandelier.

At a larger architectural scale, Nuvem, designed by Miguel Arruda, replaces the conventional single fixture with a modular ceiling system. Repeated elements connect through a system of joints and hooks, allowing light to expand across ceilings in irregular compositions adapted to the dimensions of a residential, hospitality, retail or public interior. The system is also available for outdoor applications.

The portfolio includes suspension, ceiling, wall, table and floor lamps, together with portable and exterior lighting. Despite the expressive appearance of many designs, the products remain remarkably light and manageable, an advantage for installation, transport and use in large compositions. The technopolymers are cold-cut using a low-impact process, while production offcuts are collected and transformed into new objects.

Slamp’s identity comes from treating an industrial material with the sensitivity of a textile. Transparency, reflection, colour and hand-shaped volume turn the light source into a sculptural presence, giving the brand a place between decorative lighting, fashion and architecture.

Founded in 1994 | Handmade in Italy | Headquarters: Pomezia, Rome

www.slamp.com

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General Catalog 2026

REDO

ConceptHub — Fri, 25 Sep 2026 11:01:37 +0000

REDO

Decorative and architectural lighting for complete projects

Founded in 2000 and based in Bacău, REDO has developed one of Romania’s most extensive lighting portfolios, with more than 4,000 products for residential, hospitality and commercial projects. Its catalogue covers decorative, functional and exterior lighting, allowing designers to address several layers of a project through a coherent selection of products.

Interior lighting forms the most expressive part of the REDO portfolio. The collection includes chandeliers, single and multiple pendants, ceiling lights, wall lamps, floor lamps and table lamps, ranging from compact pieces to large suspended compositions for dining areas, staircases, double-height spaces and hotel lobbies.

Many designs are developed as coordinated families, with pendant, ceiling, wall, floor and table versions. This allows the same visual language to continue through a residential interior or across the different areas of a restaurant, hotel or commercial space. Compact lamps can introduce atmosphere at bedside or lounge level, while larger pieces can define reception areas, dining rooms and other important architectural volumes.

The material palette includes metal, aluminium, glass, acrylic, textile and opal silicone. Matte finishes, warm metallic surfaces, coloured elements and translucent diffusers support different types of interior, from restrained contemporary schemes to more decorative compositions. Integrated LED sources allow REDO to work with fine profiles, continuous lines and illuminated geometries, while models with replaceable lamps offer greater freedom in selecting the light source and colour temperature.

The decorative collection is supported by recessed and surface-mounted downlights, track lighting, spotlights and linear profiles. These products provide ambient, accent and task lighting around the more visible luminaires, making it possible to illuminate circulation routes, work surfaces, displays, artwork and architectural details without introducing unnecessary visual elements.

Selected REDO products can be controlled through the REDO SMART application using Bluetooth or Wi-Fi. Individual luminaires or groups can be switched, dimmed and programmed, while compatible models also allow colour-temperature adjustment and personalised lighting scenes. Voice control is available through Amazon Alexa and Google Assistant.

The outdoor portfolio is structured around the different areas that need to be illuminated around a building. Wall-mounted fittings and directional projectors define façades, entrances and architectural details. Bollards and low-level lights guide pedestrian routes, driveways and garden paths, while recessed ground fixtures can highlight vegetation, walls and vertical surfaces. Ceiling and pendant models extend the lighting concept to covered terraces, entrance canopies and exterior dining areas.

These solutions can be used around private homes, apartment developments and landscaped gardens, as well as hotels, restaurants, office buildings, retail destinations and other business environments. The range includes concrete, aluminium, anti-corrosion-treated aluminium and brass products, with selected solutions developed for areas exposed to humidity, salt and demanding weather conditions.

REDO offers designers a practical balance between decorative variety and project coverage. Interior statement pieces, discreet architectural lighting, intelligent control and exterior solutions can be selected from the same broad portfolio, making the brand suitable for projects that require both visual character and functional continuity.

Founded in 2000 | Romania | Headquarters: Bacău

www.redogroup.com

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General Catalog 2026

Outdoor

FLOS

ConceptHub — Fri, 25 Sep 2026 11:00:59 +0000

FLOS

Light as an object, an atmosphere and an architectural tool

Founded in Merano in 1962, Flos has played a decisive role in the development of modern lighting. Its history is closely linked to designers who have challenged established typologies, among them Achille and Pier Giacomo Castiglioni, Tobia Scarpa, Philippe Starck, Jasper Morrison, Patricia Urquiola, Michael Anastassiades and the Bouroullec brothers.

Many Flos lamps have become reference points in design because they introduced genuinely new ways of using light. Arco brought overhead lighting into the room without requiring a ceiling connection, while Parentesi transformed the lamp into an adjustable element that travels vertically along a tensioned cable. Taccia, Snoopy and the early Cocoon designs explored reflected light, unexpected proportions and innovative materials, establishing a culture of experimentation that continues to shape the brand.

The decorative collection now covers suspension, ceiling, wall, floor, table and portable lighting. Some products have a strong sculptural presence, while others are reduced to discreet lines, points of light or precisely balanced structures. Across this diversity, Flos retains a recognisable attention to proportion, optical comfort and the relationship between the fitting and the space around it.

Beyond decorative lighting, Flos has developed a substantial range for architectural projects. The Tracking Magnet condenses tracks, magnetic fittings and control technology into a profile only 15 millimetres wide, available in recessed, surface-mounted and suspended versions. Spotlights, linear modules and pendant elements can be repositioned as layouts change, giving architects considerable freedom without introducing visually heavy infrastructure. Systems such as Light Shadow address glare control and visual comfort through dedicated optics, allowing light to remain precise while the fitting recedes into the ceiling.

The same technical depth extends outdoors, with solutions for façades, entrances, terraces, pathways, gardens and public spaces. These collections translate the brand’s design language into products engineered for exterior conditions, making it possible to develop a coherent lighting concept from the interior of a building into the surrounding landscape.

For retail, hospitality, residential and corporate projects, Flos Bespoke adapts existing products or develops made-to-order solutions, including special dimensions, finishes, optical configurations and high colour-rendering light sources. Traditional processes such as glassblowing are combined with advanced engineering and lighting control, allowing decorative character and technical performance to be developed as part of the same project.

Flos remains unusual in its ability to work convincingly at very different scales, from a portable lamp or a recognised design classic to an integrated architectural system. This breadth, supported by decades of collaboration and optical research, makes the brand equally relevant to interiors defined by a single expressive object and to complex projects requiring precise control of light throughout the building.

Founded in 1962 | Italy | Headquarters: Bovezzo, Brescia

www.flos.com

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General Catalog 2026

BAZAR BIZAR

ConceptHub — Fri, 25 Sep 2026 10:59:10 +0000

BAZAR BIZAR

Belgian design shaped by natural materials and living craft

Bazar Bizar was created in Belgium by Eddy Roothaert and Pascale Pelsmaekers, whose background in hospitality informed an instinctive understanding of how furniture, light and objects shape the atmosphere of a space. What began through travel and direct contact with local craft traditions has developed into an extensive interior and lifestyle collection with a recognisable balance between European design sensibility and Southeast Asian workmanship.

The brand works with artisans, small workshops and local communities, preserving techniques based on carving, weaving, shaping and finishing by hand. These relationships are developed over time rather than organised around anonymous mass production. The slight differences in grain, colour, weave or outline are therefore not treated as defects, but as natural characteristics of the material and evidence of the person who made each piece.

Material is central to the identity of Bazar Bizar. Teak and suar wood bring weight, expressive grain and sculptural form to tables, seating and decorative objects. Rattan, abacá, banana leaf and other woven fibres introduce a lighter structure and a more tactile surface, particularly in lighting, chairs, baskets and accessories. Stone, terracotta, ceramics, shells and hand-finished textiles complete a palette defined by warm, natural tones and surfaces that acquire character through use.

The collection is unusually broad. It includes sofas, dining tables, chairs, benches, stools, cabinets and daybeds, alongside lighting, mirrors, rugs, cushions, tableware and decorative objects. This breadth makes it possible to build a complete interior language rather than introduce a single isolated accent. The pieces can be used individually, but their recurring materials and proportions allow furniture, lighting and accessories to sit naturally together.

Lighting is one of the most recognisable parts of the range. Pendant, wall, floor and table lamps are woven or shaped from materials such as rattan, banana leaf, clay and natural fibres. Their open structures filter the light and cast visible patterns across walls and ceilings, giving the fixture a decorative presence even when it is switched off.

The outdoor selection follows the same relaxed design language through teak seating, dining furniture, daybeds, side tables and shade solutions. Materials and finishes are selected according to their intended setting, allowing terraces, pool areas and hospitality spaces to continue the atmosphere of the interior without simply reproducing indoor furniture outside.

Bazar Bizar offers more than a collection of bohemian decorative objects. Its real strength lies in the scale of the portfolio, the direct relationship with skilled makers and the ability to translate natural materials into furniture, lighting and accessories suited to contemporary interiors. The result feels informal and tactile, yet sufficiently considered for residential, hospitality and commercial projects.

Belgian brand | Flagship store and showroom: Kontich, Antwerp | Project studio: Canggu, Bali

www.bazarbizar.be

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General Catalog 2026

AROMAS DEL CAMPO

ConceptHub — Fri, 25 Sep 2026 10:58:27 +0000

AROMAS DEL CAMPO

Valencian lighting shaped by material, proportion and warm light

Aromas del Campo began in Valencia in 1986, initially producing potpourris and aromatic compositions from dried flowers. Its transition into lighting came through small glass table lamps filled with these botanical arrangements. What began as a decorative extension of the original business gradually became its main direction, leading the company to establish its production and international distribution centre in Bétera, near Valencia.

Today, Aromas del Campo is known for lighting that combines simple forms with a rich and often unexpected material palette. Metal and glass remain central to the collection, joined by marble, alabaster, ceramic, wood, travertine and, more recently, parchment and pleated paper. These materials are not used as decorative additions alone. Their weight, translucency, texture and natural variation determine how each lamp filters, reflects or directs light.

The catalogue covers table and floor lamps, wall lights, pendants and an expanding architectural collection. Compact fittings sit alongside large suspended compositions designed for dining areas, stairwells, reception spaces and rooms with generous ceiling heights. Many designs are developed as complete families, allowing the same visual language to continue through different typologies and scales.

Aromas offers considerable freedom in the way its products are configured. Metal components are available in finishes ranging from matt black and white to aged gold, polished gold, chrome and satin nickel. These can be combined with coloured glass, hand-painted ceramic, alabaster or several varieties of marble. Selected models are produced in multiple diameters, while others can be adapted through interchangeable discs, shades and accessories. This system of finishes and components gives designers room to create individual combinations without moving into fully bespoke production.

The lighting itself is warm and atmospheric, with 2700K frequently used throughout the collection. Integrated LEDs, dimmable systems and touch controls appear alongside replaceable light sources, depending on the character and scale of each product. Portable rechargeable lamps extend the range into more flexible residential and hospitality settings.

Recent collections have broadened the brand beyond decorative lighting. Architectural spotlights, recessed fittings and more technical solutions introduce precise beams and discreet formats while retaining the materials associated with Aromas, including alabaster, marble and aged metal. The result is a portfolio that can move from a sculptural pendant or tactile table lamp to quieter elements integrated into the architecture.

Aromas del Campo brings together Mediterranean warmth, accessible contemporary design and a particularly expressive use of material. Its lamps have enough character to define an interior, yet remain versatile through their range of formats, finishes and possible combinations.

Founded in 1986 | Spain | Headquarters: Bétera, Valencia

www.aromasdelcampo.com